Macro or Close-up Photography – Very Personal
Find the Macro mode button on your camera
If there is one thing that I can identify as the motivating factor for becoming a photo-nut, it is macro, or close-up, photography.
Do you remember the times in school or just playing around outside as a kid when you used a magnifying glass to examine bugs and small objects? It is very fascinating to zoom in on things that you don’t normally see.
Then, getting older, we kind of get distracted with the cares of life and forget about the magnifying glass and exploring. That is pretty much what happened to me.
But something magical happened one day when I switched my little 3-megapixel Olympus camera to macro mode. It was like I was traveling back in time to my childhood. The flowers I photographed revealed detail and secrets I had not noticed before taking the picture. It brought back memories of the crazy movie “Honey, I shrunk the kids.”
I started photographing everything in macro mode. And I was not disappointed with any of the shots. I took pictures of nuts and bolts, flowers, bugs (when they stayed put long enough), spider webs, belt buckles, finger nails, eyeballs… you name it, and I took a pictures of it. My wife and kids got really annoyed with the camera that was always snapping shots of some body part or piece of clothing.
I have since moved up a couple of notches to a digital SLR, and I have a special Canon lens for macro. However, it is not mandatory that you have a macro lens. In fact, a digital SLR camera is not necessary either.
As I mentioned earlier, every compact digital camera has a close-up function. On you mode dial it looks like a little tulip flower. With your camera set to that setting, you can focus as close as an inch or two and get amazing results. You can fill the frame with a flower or bug, then be astounded at the intricacy of creation as you study the details on your big screen computer.
There is one caution you must be aware of when using a compact digital camera with macro images. It is not as common as in the past because of the advance in camera technology, but here it is. If your compact is equipped with an optical viewfinder and a live view LCD screen, be sure to use the LCD to compose your macro photo. The reason for this is that the optical viewfinder on compact cameras does not see the exact image that will be recorded when you press the shutter button. Compact cameras do not see the image through the lens like a digital SLR camera does, so what you see is not what you get, especially when viewing extremely close images. Using the LCD screen solves this problem. The thing is, most newer compact cameras don’t even offer an optical viewfinder anymore, so this issue will be obsolete soon. And if you have purchased a camera recently, you are probably saying, “What is he talking about?” The bottom line is this, if you have an LCD that shows the picture you are about to take, you are covered.. no problem-o.
Digital SLRs already have this problem covered simply because of the way the image is seen and focused using the “through the lens” technology. However, many newer digital SLRs are also now offering the live view feature in which you see the image on the LCD screen.
Lighting Up Your Macro or Close-Up Photography Pictures
When taking close-ups, you will have different situations with lighting than you do with normal photographs for a couple of reasons. One of those is simply because of how close you are to the subject. The second is due to the small size of the objects that are the subjects of macro photos.
Think about it. When the shadows change by a yard or so in a landscape photograph, you will barely notice it, but if the shadow moves an inch on a flower that you are about to photograph, it changes everything about the composition. Then, too, light changes are more intense as you get closer to the subject. You really need to be aware of what is happening to the light as you get ready to shoot the picture. Waiting a few seconds for a cloud to move one way or the other could make a major difference in the outcome.
Another thing to watch is the quality of the light. Bright sunlight can be your worst enemy because of the harsh shadows it creates up close. On the other hand, while shade or overcast skies make it easier to get a more evenly lit image, the colors are not as intense.
The direction of the light also has a huge effect on the results. Make sure you are aware of the where the light is coming from. Many photographers like to shoot with the sun at their back, but using side lighting or back lighting can give really nice results, too. If you choose your position with light direction in mind, you can get some very dramatic effects. The hint here is that you should take control rather than letting the light control you.




